| 2019 | Enlightened, Romantic, and Gothic: The Sexual Identities of Mary Wollstonecraft (Wan, Yuen Yuk Liz) |
| 2019 | "It was one's body feeling, not one's mind": Virginia Woolf and Ballet (Leung, Ho Yee Chloe) |
| 2019 | The Detective and Restoring Order in the Work of G.K. Chesterton (Clarke, Kimberley Elizabeth) |
| 2019 | Reading Food: Gender, Sexuality, Class and Ethnicity in Contemporary East-Asian Diasporic Literature and Film (CHAN, Shuk Shun Nicholas) |
| 2018 | Outgrowing Life, Outliving Death - Youth and Madness in The Bell Jar, Norwegian Wood, and A Pale View of Hills (WU, Lok Ying Judy) |
| 2018 | Globalization and World Literature: David Mitchell and the Question of Centrality (ILCA, Dragos Ioan) |
| 2018 | Narrative Functions of Lepidoptera in the Novels of Vladimir Nabokov (DELAZARI, Natalia) |
| 2018 | From Fragmentation to Coherence: The Shift of Focus in Paul Auster's Works(CHAN,Tsz Wai Eunice) |
| 2018 | The Dialectical Making of Selves in Conrad's Fiction (LI, Hoi Kei Amy) |
| 2017 | Yeats and Sublime (Chan, Man Chu Irene) |
| 2016 | Self and Others: the Ethics of Postmodern Narrative in Philip Roth’s Novels(Zhang, Feiran) |
| 2016 | Already, But Not Yet: Albert Camus’ Coming Algeria and The First Man(Tsang, Kei Wing Janice) |
| 2016 | John Keats’s Poetics of Melancholy (Lo, Ka Tat David) |
| 2016 | Gendering the Poetic Subject: Masculinity and Femininity in Wordsworth’s Poetry (Luo, Tianshuo) |
| 2016 | Between the Good Hell and the False Faradise: Chan Koon-Chung’s Portrayal of Collective Anxiety in Late Socialist China (Liu, Yiwen Even) |
| 2015 | Finding the Place of Writing: Seamus Heaney as a Displaced Poet in Station Island(Kwok, Chun Yi Jenny) |
| 2015 | i: Posthuman God in Contemporary Transhumanist Literature (1982-2012) (Tam, Chun Man Antony) |
| 2014 | The Man and the Machine in Major Novels by D.H. Lawrence (Lau, Wan Tung Carolyn) |
| 2014 | Mary Shelley’s “Reflective Radicalism” in Frankenstein and The Last Man (Liang, Huiling) |
| 2014 | Time and Subjectivity in Time Travel Narratives (Wong, Ka Lee) |
| 2013 | Return to Fantasyland: A Defence of Disney (Chan, Yu Kwan) |
| 2013 | Rethinking World Literature: Reconfiguring a “World Literary Space” through Poststructuralist Thought (Chow, Shun Man Emily) |
| 2011 | Woolf’s Formal Inheritance of Byron’s Don Juan (Mak, Ka Yu) |
| 2011 | Jane Austen’s “Selfless” (Sub)version of Stereotypes (Chan, Ka Man Meg) |
| 2011 | The Mind of John Donne: A Cognitive Approach to the Metaphysical Conceit (Law, Lok Man) |
| 2011 | “Why are we set in this world?” – Gender Representation in Murakami Haruki’s Novels (Tsang, Yat Him) |
| 2010 | Visions of Enlightenment: Aspects of Buddhism in Jack Kerouac, Allen Ginsberg and Gary Snyder (Chan, Tsz Shan) |
| 2010 | The Risus Purus: Laughter Today in Beckett’s Endgame and Pinter’s The Birthday Party (Lee, Tin Yan Grace) |
| 2010 | The Quest for Recognition: A Thematic Exploration in Jane Eyre, Villette, Cat’s Eye and Moral Disorder (Leung, Eva) |
| 2010 | The Synergistic Relationship between Painting and Poetry in Derek Walcott (Mao, Yuanbo) |
| 2009 | “The Open Wound”: Bodies and Space in Pinter and Kane (Chan, Woon Ki) |
| 2009 | Performativity and the Invention of Subjectivity in William Wordsworth and T.S. Eliot (Ng, Chak Kwan) |
| 2009 | A Resistance to Langue : Rereading Maxine Hong Kingston (Zhou, Yi) |
| 2008 | Dialogue and Community in Postmodernist Novels: Rushdie, Morrison, Marquez (Tsang, Tak Fai) |
| 2008 | Nationalism as Dilemma in (Semi)Colonial Contexts: Reading the Short Stories of James Joyce and Lu Xun politically (Zou, Meiyang) |
| 2008 | Journeys Viewed, Heard and Read: Literary Impressionism, Music and Consonance in Dorothy Richardson’s Pilgrimage (Wong, Yong Yi) |
| 2008 | “I step through origins”: Different Forms of Piety in Seamus Heaney’s Poetry (Wong, Wai Man) |
| 2008 | The Environment of Hong Kong Theatrical Performance: Foreign Dramatic Texts in Local Performance (Shaw, Yomei) |
| 2008 | Reference and Representation in the Works of Gao Xingjian and Samuel Beckett (Coleman, Tara Jean) |
| 2008 | Alienation within Alienation: Jean Rhys’s Search for Identity (Chan, Chiu Fung Maria Goretti) |
| 2007 | The Importance of Being Honest – Honesty and the Development of Selves in George Orwell’s Autobiographical Writing. (Kwok, Tsz Ki) |
| 2007 | Representations of the American Civil War: Whitman, Crane and Bierce. (Kwok, Yat Kam Camie) |
| 2007 | Conflictual Self in the Modern World: A Study of Selected Works by Joseph Conrad and Yasunari Kawabata. (Lau, Chi Sum Garfield) |
| 2007 | Opening the Ground: Heaney’s Autobiography and his Interior Journey. (Shi, Huiwen) |
| 2006 | A City of Two “Winds”: The Hybridity of Hong Kong and Hongkong Yan. (Chan, Ching Yee Rose) |
| 2006 | Mourning in Shakespeare: Different Aspects of Surviving Death. (Chan, Lai Man Hester) |
| 2006 | Histories in Fictions: The Configuration of Hong Kong in Xu Xi’s History’s Fiction and David T.K. Wong’s Hong Kong Stories. (Siu, Lok Yi Phoebe) |
| 2006 | Words and Images: The Representations of Rebels in 1950s American Novels and Film. (Yong, Wai Ting Ruby) |
| 2006 | Female Body, Subjectivity and Identity in Jasmine, The Handmaid’s Tale and Nights at the Circus. (Yuen, Siu Fung Phoenix) |
| 2005 | Women Speaking, Spoken to and Spoken of: Feminist Readings of Selected Plays by Pinter. (Cheung, Wah Gerald) |
| 2005 | Personalizing Film Adaptation: Literature into Cinema in the Work of Roman Polanski. (Fung, Tat Yeung) |
| 2005 | The Images of Homeland in the Exile Poetry of Beidao and Joseph Brodsky. (Ko, Chung Man Cynthia) |
| 2005 | Negotiating Development from Childhood to Young Adulthood in Shakespeare. (Lam, Wai Yee) |
| 2005 | Reading Beckett and Yeats from a Crosscultural Perspective: A Reader-Oriented Approach. (Li, Mei Yee Florence) |
| 2005 | Consummation of Sexuality and Religion in the Love and Divine Poetry of John Donne. (Ng, Pui Lam Lorraine) |
| 2004 | Evolution of a Heroine: From Pride and Prejudice to Bridget Jones Diary. (Chan, Ka Ling Zoe) |
| 2004 | From Conrad’s ‘Alienation’ and ‘Impressionism’ To Nietzsche’s Philosophy. (Cheung, Ching Lap Dickson) |
| 2004 | Reading the ModernCity, Reading Joyce and Eliot: A Study of Flanerie in Literary Representation. (Lau, Kin Wai) |
| 2004 | Rhyme to See Myself? Exploring Identity in Seamus Heaney Early Poetry (1966-1975). (Li, Chit Ning Chloe) |
| 2004 | Voices of Resistance: Alternative Cultures in The Catcher in the Rye, One Flew Over the Cuckoo Nest and Generation X. (Ma, Chun Lung Graham) |
| 2004 | Wandering Between Classes: The Depiction of Poverty in George Orwell Early Texts. (Tsang, Tim Josephine) |
| 2004 | Erasing the Myth of Autonomy: The Relational Self in J.M. Coetze Boyhood and Youth. (Tsui, Yuk Chun Nancy) |
| 2004 | Je est un autre: Multiple Selves in Autobiographical Fictions. (Wong, Chun Chi Nicole) |
| 2004 | Aspects of Music in Shakespearean Drama. (Wong, Ka Ki Katrine) |
| 2003 | The Unfolding of Self in the Mid-Nineteenth Century English Bildungsroman. (Cheung, Fung Ling Sally) |
| 2003 | The Multiplicity of the Detective Thriller as Literary Genre. (Kwok, Sze Ki Agnes) |
| 2003 | The Cultural Imaginary and Identity in the Works of Maxine Hong Kingston. (Tong, Wing Yin Susanna) |
| 2003 | Crimes & Criminals in William Trevor Novels. (Wong, Winnie) |
| 2002 | Social Influence and the Human Aspiration for Freedom: Two Fictions of Duality in the Late Victorian Age. (Lee, Kar Man Ida) |
| 2002 | Postcolonial Counter Discourse in Historical Novel Writing: The Construction of Historical Representation and Cultural Identity in One Hundred Years of Solitude, Midnight’s Children, and Flying Carpet. (Ng, Chui Yin Christine) |
| 2002 | Intertextual Variations: A Contrastive Study of Ellis Cornelia Knight, Angela Carter, Marina Warner and Paula Rego. (Wong, Man Ki Vanessa) |
| 2002 | Strategies of Authorship by Ethnic Minorities: Construction of Identity by Three Chinese-American Writers. (Wong, Yuen Wing Catherine) |
| 2002 | Post-colonial Discourses in Education, Language and Secondary School Textbooks of English in Hong Kong. (Keung, Yuen Kwan) |
| 2001 | A Momentary Stay against Darkness: Quest for Fulfillment in Robert Frost’s Poetry. (Leung, Choi Ha Florence) |
| 2001 | The Representation of Feminine Fear in Sylvia Plath’s Poetry. (Wong, Hiu Wing Fiona) |
| 2001 | A Study of Oscar Wilde’s The Picture of Dorian Gray, E.M. Forster’s Maurice and John Rechy’s City of Night in relation to the self-identity of the ‘gays’. (Wong, Nga Lai) |
| 2000 | Towards the Gender Balance: The Struggle and Survival in D.H. Lawrence’s Novels. (Chung, Ka Man Amy) |
| 2000 | “Voice in the Heart”: Post-coloniality and Identity in Hong Kong English Language Literature. (Hooper, Brian John) |
| 2000 | The Murderoous Women: Madness in Modern Western and Chinese Women’s Literature. (Lui, Sha Lee Sally) |
| 2000 | Imagistic Action: An Interdisciplinary Study of Poetic Tension in Yeats’ Theatre. (Wong, Hing Yi Orieta) |
| 2000 | “Fictions of Crisis”: A Comparative Study of Some Aspects of Fictions by D.H. Lawrence and Thomas Mann. (Young, Ada) |
| 2000 | Fictionalized Death: A Comparative Study on Samuel Beckett, Albert Camus and Zhang Xianliang. (Mak, Mei Kwan Alisa) |
| 1999 | Gender Identity and Androgyny in “Shuang Shen” Au?- [Dual Bodies], “Orlando”, “A Room of One’s Own” and “The Illusionist”. (Kung, Siu Bing) |
| 1999 | The City and the Self in William Carols Williams’ Paterson. (Chan, Weng Kit Danny) |
| 1999 | Chinese Eyes, Eurasian Eyes on Timothy Mo’s Novels. (Choi, Yan Yan Cecilia) |
| 1999 | Visions of the Future in the Science Fiction of H.G. Wells. (Leong, Hang Tat Jacky) |
| 1999 | Female Subjectivity in the Fiction by Doris Lessing & Zhang Jie. (Li, Tsui Yan Jess) |
| 1999 | A Psychoanalytic Study of Indecision in Lord Jim, Half of Man is Woman, and The Frence Leutenant’s Woman. (Yu, Cheuk Keung Peter) |
| 1999 | Poetry of the Blues: The Lyrics of Robert Johnson & Blind Lemon Jefferson. (Cheung, Ming On Bernard) |
| 1999 | Convergence and Divergence: A Comparative Study of Myth and Tragic in Jiuge and Agamemnon. (Kuan, Ah Shan) |
| 1998 | Reflections of Narcissism in Three Novels by Oscar Wilde, Yukio Mishima and Gu Cheng. (Lai, Tak Yee Amy) |
| 1998 | The Lore of Childhood: Subversion of Gender Socialization in Certain Examples of English and Hong Kong Children’s Fiction Since the 1960s. (Chan, Mei Lan Maggy) |
| 1998 | The Representation of Space in Contemporary Hong Kong Nostalgic Films. (Chu, Wing Ki Blanche) |
| 1998 | Image and Identity: A Study of Connie Chan Po Chu and Josephine Siao Fong Fong as Popular Icons for Women in the Culture Industry in Hong Kong. (Ku, Ho Kwan Lisbeth) |
| 1997 | Power and Resistance in Dystopian Literature: A Foucauldian Reading of Three Novels. (Ki, Wing Chi) |
| 1997 | Love and Confinement in Jean Rhys’s Fiction. (Cheng, Mung Lai Clara) |
| 1996 | The Survival of Love in Pinter’s Drama of Hostility. (Wai, Kui Man Wendy) |
| 1996 | A Genre of Longing and Hope: Idea of the Child and Children’s Literature in Hong Kong. (Chan, Shin Kwan Meimei) |
| 1996 | Plurality of Identity and Culture: The Wanderer Motif in Contemporary Chinese and Chinese-American Writings. (Ho, Wai Kwan Katy) |
| 1995 | From Public Sphere to Interpretative Citizenship: Chang Ta-chun and the Ideal of Communicative Praxis. (Leung, Wing Sze Evelyn) |
| 1995 | Space of Exalted Repression and Complicitous Resistance: Approaching the Postmodern Hyperspace and Cyberspace through Fantasy. (Chan, Siu Ling Fiona) |
| 1995 | Betrayal in Contemporary British Drama: Harold Pinter, Tom Stoppard and Peter Nichols. (Wong, Suk Yin Edith) |
| 1994 | The Female Self in Contemporary Chinese Fiction. (Lau, Kam Fung) |
| 1994 | Female Initiation in Modern Chinese Fiction. (Lo, Man Wa) |
| 1994 | The Uses of Sam Hui — An Investigation of the Formation of Cultural Identity in Hong Kong. (Ip, Pui Yee) |
| 1994 | Female Identity in Virginia Woolf and Wang Anyi. (Tsui, Wing Yi Wanda) |
| 1993 | The Hermeneutic Turn of Translation: Illustrated with Tang Poetry. (Chan, Kit Sze Amy) |
| 1993 | Adequacy of Landscape: Subjectivity in Wallace Stevens’s and Wang Wei’s Poetry. (Han, Pin Gara) |
| 1991 | Reviewing the Tamkang Review: Some Theoretical and Methodological Issues in the Development of East-West Comparative Literature Studies. (Chen, Jue) |
| 1991 | Imagination in Sino-Western Comparative Perspectives. (Kwok, Wai Fong Agnes) |
| 1990 | A Comparative Study of the Mother Archetype in Death in Chicago and A Passage to India. (Kwan, Yuk Ching Carrie) |
| 1990 | Between Realist and Allegorical Discourse: A Comparative Study of Han Shaogong’s Fiction. (Ngai, Ling Tun) |
| 1990 | Metaphorical Process in Sikong Tu’s Shipin. (Lau, Chi Chuen) |
| 1990 | Theory, Institution and Text: Feminism and Critical Strategies. (Yu, Kwan Wai Eric) |
| 1990 | Zheng and Qi in Chinese and English Fictions. (Lee, Ka Pik) |
| 1989 | A Comparative Study of Teahouse. (He, Yongqing) |
| 1989 | The Chinese Short Story of l917-1927: Patterns of Influence. (Lu, Zheng Wei) |
| 1988 | Metamorphosis in the Chinese Narrative: A Comparative Study. (Chin, Wan Kan) |
| 1988 | A Semiotic Study of the Chinese Theatre. (Zhang, Ning) |
| 1988 | Love in Yuan Za-ju: A Comparative Psychological Study. (Wang, Li Jun) |
| 1987 | A Study of Lu-shih as an Aesthetic Form in the Chinese Lyrical Tradition. (Ho, Yiu Fai) |
| 1986 | Hsu Chih-mo’s Indebtedness to Katherine Mansfield. (Xiang, Li Ping) |
| 1986 | Plot in Ling Mengchu’s Short Stories in the Light of Aristotelian and Neo-Aristotelian Criticism. (Li,Kit Chun) |
| 1986 | The Organic Aesthetics of Liu Hsieh and Samuel Taylor Coleridge. (Leung, Ming Chu) |
| 1984 | Su Man-shu and Lord George Byron, A Question of Influence: Their Literary Relationship re-assessed. (Chu, Chih Yu) |
| 1984 | The Theme of Exile in the Li Sao: A Comparative View. (Jor, Chi Keung George) |
| 1984 | Wan-kao: A Study on a Chinese Genre in the Perspective of Western Genre Theory. (Wong, Ho Kwan Simon) |
| 1983 | Heterocosm and Ching-chieh: Towards a Concept of Interiority for the Literary Work of Art. (Chow, Tin Ping) |
| 1983 | The Journey’s End: Return in Four Novels. (Tam, King Fai) |