彭鵬教授

Bronze Casting in Early China (Book manuscript in progress, under contract with Amsterdam University Press).

“A Study on the Origin of Chinese Lost-wax Casting from the Perspectives of Art, Technology, and Social Agency.” Sino-Platonic Papers, edited by Department of East Asian Languages and Civilizations, University of Pennsylvania (United States), Jan 2017(Number 265), pp. 1-48.

30-Second Ancient China. Lewes: Ivy Press. Book contributor with two entries: “Oracle Bone Inscriptions,” pp. 116-17, and “Bronze Inscriptions,” 2015, pp. 118-19.   

“Lubei Laizhouwan Yanan Shangzhou Shiqi Zhiyan Gongyi Chutan” 魯北萊州灣沿岸商周時期制鹽藝初探 (A Preliminary Exploration on the Salt-producing Craft in the Region around Laizhou Bay in the Northern Shandong Province). Nanfang Wenwu 南方文物 (Relic From South), edited by Jiangxi Provincial Museum and Jiangxi Provincial Institute of Cultural Relics and Archaeology (Nanchang, China), 2012 (1): 53-58.

“Shilun Jindong Diqu de Nongye Qiyuan” 試論近東地區的農業起源——以植物的栽培和馴化為中心 (On the Origins of Agriculture in the Near East: Cultivation and Domestication of Plants). Sichuan Wenwu 四川文物 (Sichuan Antiquity), edited by Sichuan Provincial  Cultural Relics Bureau (Chengdu, China), 2012 (3): 37-47.

“Guanyu Chifeng Quyu Kaogu Diaocha zhong ‘Xiaocaijidian’ Xingzhi de yige Sikao” 關於赤峰區域考古調查中“小采集點”性質的壹個思考 (Considerations on the Nature of the Small Collections in the Regional Archaeological Survey of Chifeng), Xibu Kaogu 西部考古, edited by Cultural Heritage and Archaeological Research Center of the Northwest University (Xi’an, China), Volume 5 (2011): 141-156.

“Faguo Kaogu Manyi” 法國考古漫憶 (A Memory about the Excavation in France). Zhongguo Wenwubao 中國文物報 (China Cultural Relics News), edited by Chinese State Cultural Relics Bureau (Beijing, China), January 4th, 2008.

“The Lost Wax Casting in Bronze Age China: Art and Technology” Art History Faculty Symposium, University of Minnesota, Twin Cities, USA.

“On the Origin of Landscape Representation in Chinese Art.” The Campus-wide “Princeton Research Day,” Princeton University, New Jersey, USA.

“Max Loehr and His Contribution to the Study of Chinese Bronzes and Paintings.” Conference “The Making of the Humanities V” organized by the Society for the History of the Humanities, Johns Hopkins University, Baltimore, USA.

“Rediscovering Bronze Art and Technology of Early China from Mayer Collection.” Seventh Worldwide Conference of the Society for East Asian Archaeology, Boston, USA.

“Art in the Making: A Case Study in the Technical Art History of Ancient China.” The Campus-wide “Princeton Research Day,” Princeton University, New Jersey, USA.

“Disjuncture in Style and Technique: A Group of Chinese Bronzes Revisited.” Art History Graduate Symposium “Dislocation, Disjuncture, Dispute.” Rutgers University, New Jersey, USA.

“Writing the History of Chinese Bronzes in the Perspectives of Art, Technology, and Social Agency.” Graduate History Conference “Putting History to Work”, University of Massachusetts at Amherst, MA, USA

“Rethinking Lost-wax Casting in Bronze Age China.” Invited Talk for the Special Joint Seminar, Depts. of Materials Science and Engineering, Art, Architecture,and Design, Sociology and Anthropology, Lehigh University, Bethlehem, USA. 

“Was the Lost-wax Casting practiced in the Bronze Age China? ——A Case Study of the Rim Openwork Appendage of the Bronze zun-pan Set in the Tomb of Marquis Yi of Zeng” in the 78th Annual Conference of SAA (Society of American Archaeology) at Honolulu.

Speaker, Invited Talk on the comparative Research on Shuishuxiansheng 水書先生 and Guishi 鬼師 in the Society of Shui Nationality. Dept. of History, Sun Yat-sen University, Guangzhou, China.                                                                                          

“Di Yuzhou Jiaoshou Fangtanlu” 狄宇宙教授訪談錄(Interview of Prof. Nicolas Di Cosmo). Interviewed by Peng Peng, Cao Dazhi and Cao Yecheng. Nanfang Wenwu南方文物(Relic From South), edited by Jiangxi Provincial Museum and Jiangxi Provincial Institute of Cultural Relics and Archaeology (Nanchang, China), 2017 (1): 40-45.

“Aoliwei Jiaoshou Fangtanlu” 奧利維教授訪談錄 (Interview of Prof. Laurent Olivier). Interviewed by Peng Peng. Nanfang Wenwu 南方文物 (Relic From South), edited by Jiangxi Provincial Museum and Jiangxi Provincial Institute of Cultural Relics and Archaeology (Nanchang, China), 2014 (4): 14-18.

Laurent Olivier. “The ‘Briquetage de la Seille’ (Moselle, France): An Iron-Age Proto-Industrial Salt-Extraction Center,” translated by Peng Peng, in Zhongguo Yanye Kaogu 中國鹽業考古 (Salt Archaeology in China), Volume 2, edited by Shuicheng Li and Lothar von Falkenhausen, Beijing: Science Press, 2010: 238-259. (From English to Chinese)

Laurent Olivier & Joseph Kovacik. “The ‘Briquetage de la Seille’ (Lorraine, France): Proto-industrial salt production in the European Iron Age,”  translated by Zhang Ying and Peng Peng, Nanfang Wenwu 南方文物 (Relic From South), edited by Jiangxi Provincial Museum and Jiangxi Provincial Institute of Cultural Relics and Archaeology (Nanchang, China), 2008 (1). (From English to Chinese)

Direct Grant for Research
(Project Title: “Rethinking the ‘Crescent-shaped Cultural-Communication Belt’: Archeometallurgical Evidences from Early Chinese Frontiers”), Faculty of Arts, The Chinese University of Hong Kong (12 months).

• Outstanding academic performance in the Grade of 2008 Graduate Students,School of Archaeology and Museology (Academic year 2009-2010)

Égide Scholarship (France)

• For excavation and research in the archaeological site Marsal, Lorraine, France 

Peking University President Research Fund

• For research project “Porcelains of Yuan Dynasty Unearthed in the Archaeological Site Jininglu 集甯路, Inner Mongolia”