Understanding China’s Anti-pandemic Technologies: Medica Representations, Personal Experiences and Public Opinions (2020-2022)
Tan Xuanxuan 谭璇璇
Ph.D. 2023
「生活」系谱学: 常用词「生活」在清末民初(1815—1925)的跨文化生成系谱研究
Cheng Tung Yue 陈东禹
Ph.D. 2022
视频直播与平台化中国社会:抖音的科技基础设施,商业化与治理结构
Zhang Zongyi 张宗艺
Ph.D. 2022
Rituals of Resistance Mediated Images among the Hong Kong Youth
Alberto Gerosa
Ph.D. 2022
香港电影音乐的创意实践
Law Tsin Fung Angela 罗展凤
Ph.D. 2022
From CEPA to Laam-caau: The Evolution of Anti-Economic Integration Discourses in Post-Handover Hong Kong (1997-2022)
Yu Po Sang 俞宝生
Ph.D. 2022
“心”与“农”:梁漱溟与中国革命再理解
Zhang Zhen 张振
Ph.D. 2022
中英跨文化翻译及戏剧研究:以双语作家熊式一(1902-1991)的作品为例
Chan Hiu Ting 陈晓婷
Ph.D. 2021
中国智慧古镇:旅游和技术的文化政治
Tong Qi 童祁
Ph.D. 2021
中国现代木刻的艺术生产(1930至1940年代)
Yang Ru 杨儒
Ph.D. 2021
转危为机:国防电影与早期香港电影中的社群塑造(1937-1941)
Chiu Kit Fung 赵杰锋
Ph.D. 2020
游戏作为工具?——以现代中国的风筝为例
Ko Chun Kit 高俊杰
Ph.D. 2020
Against the Commercial: Film Governance of Nanjing Nationalist Government, 1927-1937
Li Pin 李频
Ph.D. 2020
重塑广东:晚清时事,图像与文化流
Lu Xin 陆欣
Ph.D. 2020
「打鬼」的现代性:中国现代迷信知识及文艺政治(1920-1940年代)
Yang Mingchen 杨明晨
Ph.D. 2020
The Total Art of Pussy Riot and the Dialectics of Imperfection
Svetlana Ilinskaya
Ph.D. 2019
网络本土主义:中国因素下的香港身份与社群
Lai Kwok Wai 黎国威
Ph.D. 2019
The Cultural Politics of Fear: The Collective Fear of Communism in Cold War and Post-Cold War Hong Kong (1967-2018)
Li Cho Kiu 李祖乔
Ph.D. 2019
另一种华文戏剧:香港戏剧及其本土性的形成(1934-1977)
Tang Ching Kin 邓正健
Ph.D. 2019
A Semiotic Study on Character Pairing Fandom in Chinese Cyberspace
Zhang Kaixuan 张凯旋 (Gender Studies)
Ph.D. 2019
Formulaic Intimacy: The Rise of Relationship Experts in Contemporary China
Liu Haiping 刘海平 (Gender Studies)
Ph.D. 2019
(Dis)Orientating Desires: The Queer Exotic and Lesbian Diaspora in Transnational Chinese Cinemas
Ong Yuin Ting 翁筠婷 (Gender Studies)
Ph.D. 2018
性别、类型与现代性: 华语银幕女侠形象
Ni Ziquan 倪子荃 (Gender Studies)
Ph.D. 2018
铁路与中国现代性:晚清至民国的时空体验、文化想像
Li Siyi 李思逸
Ph.D. 2018
抑郁症在现代中国:患者、疾病与医疗化
Zheng Fei 郑菲
Ph.D. 2018
当艺术遇上创意---创意产业、全球资本与香港的艺术劳动
Leung Po Shan Anthony 梁宝珊
Ph.D. 2017
Film Propaganda as Medium of Perception: Early Rural Screening in Maoist China (1949-1965)
Guo Yanping 郭燕平
Ph.D. 2017
The Gender Politics of Breast Cancer in Hong Kong
Pang Ka Wei 彭家维
Ph.D. 2017
作为⽂化译者的⽥汉:上海「波西⽶亚」,⽂化翻译与世界想像(1920-1939)
Xi Yiyang 席艺洋
Ph.D. 2017
Lala Movement and Pragmatic Resistance in China
Hou Lixian 侯丽娴
Ph.D. 2016
国家控制的变迁与延续:中国大陆电影产业改革中的审查制度及其实践
Yi Lianyuan 易莲媛
Ph.D. 2016
Articulating the "L" Word Globally in a Cyber "Garden of Eden": Online Chinese Queer Fandom of Western Media and Celebrities
Zhao Jing 赵婧 (Gender Studies)
Ph.D. 2016
Re-articulating “Culture” after the Big Migration of 1949 from Mainland China: Community-based Practices among Mainland Immigrants in Hong Kong and Northern and Southern Taiwan
Li Danzhou 李丹舟
Ph.D. 2015
Run Deep: The voice, authorship, and musicianship of Chinese female rock musicians (1979-2012)
Qu Shuwen 曲舒文
Ph.D. 2015
反思红卫兵的暴力:生命传记、文革记忆与政治文化
Yuan Mengqian 袁梦倩
Ph.D. 2015
女性幻想男男之爱:中国网络耽美与酷儿性研究
Zhou Shuyan 周舒燕 (Gender Studies)
Ph.D. 2014
打造香港伤残/性别新文化 --- 搭建伤残女性主义
Wong Choi Fung 黄彩凤 (Gender Studies)
Ph.D. 2014
晚清西方摄影师在中国的成像研究
Li Xiaoyu 李潇雨
Ph.D. 2014
中国内地粉丝,香港电视明星与跨境文化消费
Zhou Lulu 周潞鹭
Ph.D. 2014
Bifurcated Time: Aesthetics and Politics of Apichatpong Weerasethakul’s Cinema
Wang Yuanyun 王苑媛
Ph.D. 2014
Decapitalising Development: Mui Wo, Lantau Island in the Age of Global Capitalism
Tang Kin Ling 邓健苓
Ph.D. 2014
Mapping the Sexual Landscape: A Study of the Family Planning Association of Hong Kong (1950s – 1980s)
Cho Man Kit 曹文杰 (Gender Studies)
Ph.D. 2013
Risk, Modernity and the Discursive Construction of Pollution in 1970s and 1980s Hong Kong
Lam Yee Man 林绮雯
Ph.D. 2013
「我(不)是电影作者」:论许鞍华的女性电影作者伦理主体
Lam Yuen Man 林婉雯
Ph.D. 2012
体制与亚体制 – 重读中国独立电影的独立性
Li Tie Cheng 李铁成
Ph.D. 2012
「国族」统摄「性别」? –近代中国知识分子的性别与国族论述
Ling Tsz Wai Wade 凌子威
Ph.D. 2012
文化旅游中的文化想像与文化生产――丽江古城木雕与绘画的旅游艺术品研究
Zhou Weiwei 周蔚蔚
Ph.D. 2012
Crossing the Transnationality of Hong Kong Cinema Co-production with Policy, Film Business, and Individual Practitioners
Chan Ka Ming 陈嘉铭
Ph.D. 2011
白话之声:白话现代性与中国早期的电影文化 (1930-1937)
Vernacular Sound: Vernacular Modernity and the Early Chinese Film Culture (1930-1937)
Wei Ping 魏萍
Ph.D. 2011
Mytological Approach to Oe Kenzaburo and Gao Xingjian's Novels --- Myth-making in The Silent Cry and Soul Mountain
Wan Mu 万牧
Ph.D. 2011
《神异真实的跨性别少年:重绘英文幻设小说的酷儿阳刚世界》
The Mythical Real Transboyhood: Re-Mapping Worlds of Queer Masculinity in English Speculative Fiction
Hung Ling Ling
Ph.D. 2010
中国大陆先锋戏剧探析(1989-2005)
Li Yafei
Ph.D. 2008
领袖权与有机知识份子的形成: 瞿秋白与二十世纪初的革命政治
Cheung Likkwan
Ph.D. 2007
五、六十年代粤剧正印花旦性别操演
Gender Performativity on the Stage: Leading Female Impersonators & Cantonese Opera of Hong Kong
Chan Chak Lui (Gender Studies)
Ph.D. 2005
相国寺:活在古代中国的神圣与凡俗之间
Xiang-guo-si: Living between the Scared and the Profane in Ancient China
Duan Yuming
Ph.D. 2003
Cyberfeminism, the Body and the Virtual: Towards an Intercultural Perspective
Chan Kit Sze
Ph.D. 2002