浮世清音 Transcending Transience（一套三冊）three-volume catalogue (Out of Stock)

James C. Y. Watt is Curator Emeritus of the Department of Asian Art at the Metropolitan Museum of Art, New York. He is also the Director of the research and exhibition project “Transcending Transience: Art and Culture of Late-Ming Jiangnan”. He was the Founding Director of the Art Museum, former Chairman of the Department of Fine Arts and the first J. S. Lee Professor of Chinese Culture, The Chinese University of Hong Kong. He served as Curator at the Department of Asiatic Art at the Museum of Fine Arts, Boston, before working for the Metropolitan Museum of Art where he assumed the chairmanship of the department in 2000. He curated a number of major exhibitions. Ground-breaking ones include The Chinese Scholar’s Studio: Artistic Life in the Late Ming Period (1987), When Silk was Gold: Central Asian and Chinese Textiles in the Metropolitan and Cleveland Museums of Art (1998), China: Dawn of a Golden Age, 200-750 A.D. (2004-2005), The World of Khubilai Khan: Chinese Art in the Yuan Dynasty (2010-2011). 

Maggie C. K. Wan is Associate Professor and Head of Graduate Division of Fine Arts, The Chinese University of Hong Kong (CUHK). She is also the curator of the research and exhibition project “Transcending Transience: Art and Culture of Late-Ming Jiangnan”. She obtained her B.A. from the Department of Fine Arts, CUHK, and her D.Phil. from the University of Oxford. Her research interests focus on material culture of the Ming and Qing periods, history of Chinese ceramics and Daoist art. She received the Exemplary Teaching Award in General Education and the Young Researcher Award, CUHK. Her publications include “Grotto-heaven in West Park: Daoist Motifs on Jiajing Imperial Porcelains”, “Research on the Edition, Formation, and Images of the Frontispieces to the Daozang” and “Image of Song-Style Brocade: Honeycomb Octagonal Pattern on Canton Enamels and Export Porcelain of the 18th Century”.

Jiang Fangting, whose scholarly interests includes traditional Chinese painting and calligraphy as well as connoisseurship and history of collecting, received her Ph. D. in History of Chinese Art from the Chinese University of Hong Kong in 2017. From 2017 to 2020, she embarked on a curatorial career as Postdoctoral Fellow at the university’s Art Museum, where she made contribution to the research and exhibition project “Transcending Transience: Art and Culture of Late-Ming Jiangnan” and its accompanying publication and programming. During this period, she also participated in co-teaching in the University’s Department of Fine Arts. She is currently Associate Curator of the Hong Kong Palace Museum.

屈志仁，香港中文大學文物館創館館長、藝術系前系主任及首任利榮森中國文化講座教授，曾任職美國波士頓美術館亞洲部及美國紐約大都會藝術館亞洲藝術部，現為美國紐約大都會藝術館亞洲藝術部榮休館長，亦為「浮世清音——晚明江南藝術與文化」研究及展覽項目的總策劃。曾參與策劃多個重要綜合大展，包括The Chinese Scholar’s Studio: Artistic Life in the Late Ming Period (1987), When Silk was Gold: Central Asian and Chinese Textiles in the Metropolitan and Cleveland Museums of Art (1998), China: Dawn of a Golden Age, 200-750 A.D. (2004-2005), The World of Khubilai Khan: Chinese Art in the Yuan Dynasty (2010-2011)等。

尹翠琪，畢業於香港中文大學藝術系，獲英國牛津大學博士，現為香港中文大學藝術系副教授、研究院藝術學部主任，亦為「浮世清音——晚明江南藝術與文化」研究及展覽項目的策劃人及圖錄主編。研究興趣為明清物質文化、中國陶瓷史及道教藝術。曾獲頒香港中文大學通識教育模範教學獎及青年學者研究成就獎。著作有〈西苑洞天：嘉靖御用瓷器的道教紋飾〉、〈《道藏》扉畫的版本、構成與圖像研究〉、〈宋錦之象：十八世紀廣東琺瑯與外銷瓷的八方錦紋〉等。