「總相宜︰清代廣東金屬胎畫琺瑯特展」展品琳瑯滿目，包羅萬有，文物館特製了刊物讓各位留念，亦方便大家梳理廣琺瑯工藝及歷史等知識！(Chinese only)

Find us in the Hong Kong Book Fair! Buy your favourite art books which are now on sale! See you there!

Written and compiled by Dr. Peggy Pik-ki Ho, Artistic Confluence in Guangdong leads the readers to delve into the mindset of Guangdong cultural elites in relation to arts, culture, and history. Artistic Crosscurrents from Guangdong, compiled and written by Dr. Peggy Ho, with essays contributed by Dr. Liang Jiyong and Dr. Tong Yu, introduces collections of painting and calligraphy and related activities, and presents the contributions of Guangdong cultural elites across a broad geographical area.

Compiled and written by Dr. Peggy Ho, with essays contributed by Dr. Liang Jiyong and Dr. Tong Yu, this book introduces collections of painting and calligraphy and related activities, and presents the contributions of Guangdong cultural elites across a broad geographical area.

Buy your favorites and take them home! Purchase HK$600 or above and you may get one Ting Yin-yung’s seal tote bag* for free!

This catalogue features 80 items of interregnum porcelain wares, the majority of which were selected from local public and private collections in Hong Kong that were shown in the 2012 exhibition “Filling the Interregnum: Ming Mid-15th Century Ceramics form Jingdezhen”. These are supplemented by recent acquisitions of the Art museum, as well as important works at lesser-known overseas collections, offering a good frame of reference.

Three-volume catalogue featuring three essays and 200 sets of objects from Shanghai Museum, public and private collections in Hong Kong and overseas museums to illustrate the artistically and culturally vibrant period of late Ming.

Written and compiled by Dr. Peggy Pik-ki Ho of the Art Museum of CUHK, this publication is a journey of retrospection and reconstruction of Guangdong painting and calligraphy from CUHK’s collection with in-depth and original research. It leads the readers to delve into the mindset of Guangdong cultural elites in relation to arts, culture, and history.

This exhibition catalogue features 92 paintings and 40 photographs of Hong Kong scenery from the 1940s to 1970s from the collection of the Art Museum, CUHK. It includes essays written by Prof. Pedith Pui Chan and Dr. Vivian Ting Wing Yan. There are entries written by Prof. Pedith Pui Chan, Dr. Vivian Ting Wing Yan, Prof. Josh Yiu and Dr. Phil Chan. This bilingual catalogue also comes with plates in full colour and the transcription of all inscriptions, colophons and seals of exhibited paintings.

This three-volume exhibition catalogue features 120 ancient Chinese paintings donated or loaned to the Art Museum, CUHK, by Bei Shan Tang. It includes entries and 10 essays written by faculty, alumni and graduate students of the Department of Fine Arts, CUHK. This bilingual catalogue also comes with plates in full colour and the transcription of all inscriptions, colophons and seals of exhibited paintings.

This bilingual catalogue with full colour illustrations is published in conjunction with the exhibition

This bilingual catalogue with full colour illustrations is published in conjunction with the exhibition “Divine Power—The Dragon in Chinese Art”, which features almost 200 exhibits dating from the Neolithic period to the 20th century, including ceramics, metals, jade and stones, scholarly objects, textiles and paintings, etc. It also includes essays written by Zhao Feng, Curator of the China National Silk Museum and Prof. Peter Y.K. Lam, former Director of the Art Museum, CUHK.

This catalogue features over 60 items of Qing ritual vessels and a Blue silk dragon robe, Jifu. The ritual vessels displayed are rare examples of ritual vessels specified in the “Illustrated Compendium of Ceremonial Paraphernalia for State Rituals”. It also includes academic findings written by Dr. Iain Clark.

This catalogue features a selection of 107 works of Mr. Ting Yin-yung donated to the Art Museum by the artist’s students and friends in the Department of Fine Arts, CUHK as well as 11 treasured pieces on loan for the exhibition. Most of the works have hitherto been unpublished. It also includes essays written by Prof. Lee Yun-woon, former chairman of the Department of Fine Arts; Mr. Tsui Chi-yu, one of the donors, and Dr. Phil Chan from the Museum. “Footprint of Ting Yin-yung in Hong Kong“ and “