策展人的工作,包括籌備和落實展覽的行政和技術工作外,亦需顧及相關旁邊工作如籌款、公關、教育等。不單需要行政技巧,還需具有藝術知識和文化觸覺。策展工作更有另一重要層面,就是對策展工作的反思。策展人是社會的重要文化中介者和演繹者,其策展決定往往影響藝術的定義和公眾對藝術的理解。現實是,展覽策劃深受傳統、機構的文化和價值取捨,以及左右文化發展的權力架構所影響。缺乏對文化藝術發展的種種力量和傳統作反思,只會淪為單是追求製造名牌、市場推廣和成為「文化領袖」的行政技術官僚。
The work of a curator involves the management, coordination and technical implementation of exhibitions and their related activities, such as fund-raising, public relations and educational activities. It requires not only administration skills, but also specialized knowledge and artistic sensibility. There is also another level in curation that is equally important: the critical contemplation of curatorial practice. Curator plays a crucial role as the mediator and interpreter of culture in our society. His/her curatorial decisions shape the public’s definition and understanding of art. In reality, curatorial practice is shaped by traditions, institutional culture and the infrastructure of power that strongly affect the development of art. Lacking the ability to engage in the critical review of the dominating forces that dictate curatorial practice would only produce administrative bureaucrat who seeks for success in bland building, marketing and obtaining the fancy title of ‘cultural leader’.
陳娉婷,〈何慶基帶學生一起策展:如何湊掂藝術家?如何旁觀他人痛苦?〉,《關鍵評論網》,2018年4月18日
匡翹,〈【藝術中心40年】九十年代移民潮 辦流行文化展建立身份認同〉,《明周文化》,2017年10月18日
Phoebe Ng, “Pan-dems demand Lam explain replica plan,” The Standard, 12 December 2016, P02.
何慶基,〈《拆拆剪剪──何慶基展覽策劃故事》前言〉,《微批》,2016年10月31日)
觀察者藝文田野檔案庫,〈策展為何專題:訪丁穎茵、胡永芬、梁美萍、何慶基、呂岱如、張正霖、林平〉,《觀察者藝文田野檔案庫》,2016年10月17日
譚曉欣,〈從策展故事到對今屆立法會的寄望——何慶基專訪〉,《本土新聞》,2016年9月19日
立場編輯,〈【說書·人】專訪何慶基:藝術行政不止賣飛 策展人須提出文化視野〉,《立場新聞》,2016年8月22日
Carain Yeung, “Project aims to give ex-offenders chance,” The Standard, 24 May 2016, P09.