| Title: | "The Spirit of Chinese Ancient - Art is Still Lingering" (Solo Display) |
| 名稱: | 《千年凝錦 餘彩徘徊》 (個展) |
| Artist: | Mak, Kit Jing Vivian |
| 作者: | 麥潔貞 |
| Date: | 6 – 17 January, 2020 |
| 日期: | 2020年1月6日至17日 |
| Statement: | My paintings: Absorbing from the essence of Chinese ancient literati painting, works are developed in both meticulous and impressionistic painting ranging from ancient natural landscapes, flowers-and-birds to figures, in the Tang, Song, Yuan, Ming and Qing Dynasties, together with paintings of Dunhuang murals from the Sixteen Kingdoms, Northern Wei, Sui and Tang, Five Dynasties, Song, Xixia and Yuan Dynasties. My calligraphy: A creation of academic and composition. While the art of calligraphy begins with the ancient works and rubbings from calligraphers of different dynasties. The highest art spirit of poetry, paintings and seal concludes: As the saying goes, “Good poetries deliver delicate and vivid illustrations, good paintings express poetic meaning to readers.” A seal contains the cultural legacy of thousands of years, so whenever a masterpiece is created, artists pay attention to the position of the seal, which could bring a crucial touch of enrichment to the work.
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| 簡介: | 我的畫作： 從中國傳統文人畫入手，廣泛研習唐宋元明清傳統山水、花鳥、人物繪畫風格，兼工工筆、寫意。遍研由十六國、北魏、隋唐、五代、宋、西夏、元各朝敦煌壁畫。千餘年以來，名迹數萬種，然後知畫理精微，畫學之博大如此，而非一家一派之能盡也，尤須師古自學，各習所長，以致學有所養，德有所進，藝有所成。陳師曾總結文人畫要素：「蓋藝術之為物，以人感人，以精神相應者也。有此感想，有此精神，然後能感人而能自感也」。我的書法： 作品是與學術研究和文字創作相結合。書法藝術必先多看歷代各書家筆迹、拓本，廣見鐘鼎、碑帖。上自鍾王，中至隋唐名家書法作品，下至明清近代。因眼中有上乘書法基礎，以後的篆隸行草才可以隨學習前進。汲取前人菁華，成為自己的韻貌。這樣才可以深厚的學術與文字底蘊，滋養出書法藝術。莫家良教授認為「風格的形成還須以尊重歷史、延續傳統為前提。前人學書，皆以臨摹古帖為不二法門，因臨帖可得古人筆法，更可「通古今之變」，進而「成一家之言」。詩書畫印完美融合的藝術精神：「詩中有畫，畫中有詩。」好的詩給人以美的、如畫的想像，而一幅好畫又能讓觀者欣賞到詩樣的意境。詩情畫意是藝術的最高境界。 一枚小小的印章，包含了千百年來的文化沉澱。文人每當作品完成後，對於落款和蓋章的位置都是非常講究的，作品最後鈐章往往能有增潤畫面的作用。喜歡寫書作畫的文人，在關鍵的位置打上印章，而印文的風格又和書畫的風格相和，令觀者賞心悅目，達致詩書畫印的完美藝術意境。
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