社群藝術論壇:藝術老友記

March 25, 2017

社群藝術論壇:藝術老友記

2017.03.25-26, 11:00am – 5:30pm

香港中文大學康本國際學術園8號演講廳   

Lecture Theatre 8, Yasumoto International Academic Park, CUHK

網頁及報名Website and Registration

www.communityarts2017.wordpress.com

人口老化是本地和全球正共同面對的處境,本地主流的討論中,長者的安置和福利是主要關注。從另一方面看,他/她們雖從勞動崗位退下來,但憑着豐富的社會經驗和人生閱歷,一眾「老友記」除接受福利和等待安置外,更應該是具有活力和文化資本的「金齡族」,退休生活可以更多姿多彩和有意義,甚至可以他/她們的藝術潛質回饋社會。有見及此,香港中文大學文化管理碩士課程及文化研究中心合辦了「社群藝術論壇:藝術老友記」,邀得來自英國、日本、台灣和本地的長者藝術策劃人,分享和討論其策劃經驗,透過與長者的接觸和觀察,探討和肯定「金齡族」的文化優勢,包括其特有歷史感和社會經驗,並由此開發一種尚未被肯定的獨特藝術形式。

With the increase of the aging population in Hong Kong and many parts of the world, much attention has been paid to the social welfare and the physical well-being of senior citizens. In 2017, the annual forum on community arts of CUHK focuses on the artistic endeavor of senior citizens, not as a social welfare, but as valuable cultural potential to be valued and explored. Emphasis is given to identifying their cultural strength and potential, such as a sense of history and the accumulation of experiences, for the cultivation of a distinctive arts form with vocabularies that has not been formally recognized as art.

嘉賓講者Guest Speakers

鄭嬋琦Grace Cheng (藝術在醫院總監Director of Art in Hospital)

江倩瑩Kitty Kong (中英劇團教育及外展經理Manager of Education and Outreach Department, Chung Ying Theatre Company)

劉婉珍 Liu Wan-Chen (台灣國立臺南藝術大學博物館學與古物維護研究所教授Professor of Graduate Institute of Conservation of Cultural Relics and Museology, Tainan National University of the Arts, Taiwan)

保羅・馬格拉夫Paul Margrave (藝術經理、社群劇場工作者Arts Manager & Community-based Theatre Practitioner)

鄧光宇Alan Tang  (信義男爵樂團計劃總監 Project Director of Men in Jazz)

連家駿 Lin Ka Chun (信義男爵樂團樂團經理 Orchestra Manager of Men in Jazz)

渡辺弘 Hiroshi Watanabe (日本彩之國埼玉藝術劇院執行監製Executive Producer, Saitama Arts Theater, Japan)

請川幸子Sachiko Ukegawa (日本彩之國埼玉藝術劇院製作部經理Section Chief, Production Department, Saitama Arts Theater, Japan)

俞若玫Cally Yu(本地作家、銀青乒乓創辦人A local writer and the founder of Grey and Green Ping Pong)

 

香港中文大學文化管理碩士課程及文化研究中心合辦

Co-organized by MA in Cultural Management and the Centre for Cultural Studies, CUHK

香港中文大學文文學院贊助

Sponsored by Faculty of Arts, CUHK