2018 |
Desiring Endurance: A Study of the Novels by J.G. Ballard (Lau, Wan Tung Carolyn) |
2018 |
Madness and Folly in the Plays of William Shakespeare (Winckler, Reto Thomas Edgar) |
2018 |
Duration, Memory, and Creative Emotion - Reading Nabokov with Bergson (Cao, Derong Dylan) |
2018 |
Beckett and the Rites of Disenchantment (Stiegelmar, Michael Edward) |
2017 |
Identity, History, National Imaginaries: Constructing Narratives of Post-imperial China and England(Li, Zhiwei) |
2017 |
Queering Chinese Kinship in Cinematic and Popular Cultures n Contemporary Mainland China(Song, Lin) |
2017 |
Melancholy, Emotions and Feelings in Flannery O’Connor’s Fiction (Peng, Yao Alexandra) |
2017 |
“It’s one of the conditions of being human” – Paul Auster’s Intertextual and Intersubjective Invention of Solitude (Chen, Ru Danny) |
2017 |
Shakespeare and Gender Ambiguity (Cheng, On Yee Franziska) |
2016 |
Evelyn Waugh and the Pursuit of Permanence (Chan, Sze Man Mandy) |
2016 |
Elegiac Irony: A Study of Charlotte Smith’s Poetry (Chen, Shiqin) |
2016 |
“The Seeds of Limitlessness”: Dambudzo Marechera’s Radical Utopian Thinking (Chow, Shun Man Emily) |
2016 |
The Sacred in the Poetry of Judith Wright and Les Murray(Lamb, Kirsten Emma Wailing) |
2015 |
Domination, Alienation and Freedom in Ha Jin’s Novels: A View from Afar (Zhang, Hongxuan Emma) |
2014 |
Ethical Realism: Narrative, History and Identity in V.S. Naipaul’s Transnational Fiction (Zhang, Dexu) |
2013 |
Sympathy for Animal(ized) Other in Selected Works of J.M. Coetzee (Chan, On Yue Joyce) |
2013 |
Popular Shakespeare in China: 1993-2008 (Li, Jun) |
2012 |
“Never to be yourself and yet always” – Virginia Woolf’s Quest for Paradoxical Impersonality in Fiction Writing (Huang, Zhongfeng) |
2011 |
Female Entrapment in the Works of Elizabeth Stoddard, Kate Chopin, and Edith Wharton (Long, Xiang) |
2011 |
R.S. Thomas and the Poetics of Incarnation (Li, Chit Ning) |
2010 |
Byron’s “Don Juan” and Nationalism (Gu, Yao) |
2009 |
Through Female Eyes: Paula Vogel and the Dramatic Tradition (Jin, Lili) |
2009 |
Emily Dickinson and China (Kang, Yanbin) |
2009 |
The Affirmation of Ordinary Life ‐ a Comparative Study of Middlemarch and Honglou Meng (An, Ning) |
2007 |
Keats and Negative Capability. (Li, Ou) |
2005 |
Relationality, Trauma and Recovery: A Study of the Therapeutic Effects of Narratives in Selected Writing by Writers of Chinese Ethnicity. (Young, Ada) |
2005 |
Fiction and Incompleteness of History: Toni Morrision, V.S. Naipaul, and Ben Okri. (Zhu, Ying Julia) |
2004 |
Clothes Make the Wo/Man: Cross-Dressing and Gender on the English Renaissance Stage and the Later Imperial Chinese Theatre. (Liao, Weichun Spring) |
2004 |
Language and the Divided Self: Ethical and Psychoanalytical Readings of Selected Plays by Eugene Oeill. (Xie, Qun Serena) |
2003 |
Bestiality, Animality, and Humanity: A Study of the Animal Poems by D.H. Lawrence and Ted Hughes in Their Historical and Cultural Contexts. (Chen, Hong Lily) |
2003 |
Ideology and Utopia in Science Fiction. (Leong, Hang Tat Jacky) |
2003 |
The Mother as the Other ?A Psychoanalytic and Feminist Reading of Motherhood in Ibsen, Oeill and Pinter. (Liu, Yan) |
2002 |
The Female Self, Body and Food: Strategies of Resistance in Doris Lessing, Margaret Atwood, Zhang Jie and Xi Xi. (Li, Tsui Yan Jess) |
2001 |
Body Politics and Female Subjectivity in Modern English and Chinese Fiction. (Lo, Man Wa) |
2000 |
Ideology and Beyond: The Nature and Significance of Wordsworth’s Postrevolutionary Turn to the “Still, Sad Music of Humanity”. (Ding, Hongwei) |
1998 |
Crisis and Identity: Representations of Nation and Home in Hong Kong Cultural Imaginary. (Cheung, Mee Kwan Esther) |
1996 |
The Crisis of the Body and Chinese Modernity: A Trans-contextual Study of the Self-fashioning in Modern Chinese Poetry, 1920-1945. (Mi, Jiayan) |
1996 |
Art, New Culture, and Women: The Reception of the Pre-Raphaelites in China. (Wong, Pui Ling Linda) |
1994 |
The Historical Formation of Romantic Egotism: Sensibility, Radicalism, and the Reception of Wordsworth’s and Coleridge’s Early Poetry. (Yu, Kwan Wai Eric) |
1993 |
Reading (as) the Other: Hermeneutics, Marginality and Chinese-Western Comparative Discourse. (Chu,Yiu Wai Stephen) |