簡介：

陳守仁教授早年在香港中文大學及美國匹茲堡大學取得音樂學士、碩士及博士學位，1987年至2007年在香港中文大學音樂系任教，講授粵劇、香港音樂、中國音樂等課程，歷任講師、高級講師、教授，並曾兼任大學通識教育副主任，專責「領袖培育課程」。他2008年初移居英國，2015年回香港定居；現從事粵劇史、粵劇音樂研究和劇本整理等工作。

任教科目：

2018-19年度，秋季學期
CUMT4101  文化管理專題：粵劇與香港文化

Introduction

Prof Chan is a retired professor after teaching 27 years in the Department of Fine Arts, CUHK. He is a practicing artist and an art educator, who has participated in over 100 exhibitions which include The 51st Venice Biennale and the chief editors of the Hong Kong Visual Art Yearbook for several years. Now serving as member of board of directors of Para/Site, Sau Kee School of Creativity and Rooftop Institute.

Course Taught

Fall Term, 2017-18:
CUMT4101  Special Topics in Cultural Management: Art in Public Realm

Introduction

Graduated from Communications Arts Department of Loyola Marymount University, Los Angeles. Started his career in Hong Kong Broadcast Television Company. He’s been working in the independent field since 1993. Founded Ying E Chi, a Hong Kong Independent film Collective, with the fellow independent filmmakers to promote and distribute their films in the 1997. Now the artistic director of the above organization and has been curating the Hong Kong independent film festival since 2011. Made his first feature Leaving in Sorrow in 2001. 

The second feature Fear of Intimacy was selected in competition category in Moscow International Film Festival, 2004. The most recent film was Fig(2013). In recent years, he has produced two documentary films Yellowing and Lost in the Fumes.

Course Taught

Spring Term, 2019-20:
CUMT4101  Special Topics in Cultural Management: Film Appreciation and Film Curatorship

Introduction

Dr. Law is a theatre scholar (teaching, practice and research).

Before joining the BA Programme of Cultural Management at CUHK in 2016, she had taught courses on theatre in the Institut für Theaterwissenschaft at the Freie Universität Berlin. Furthermore, she had researched teaching methods in the Teaching Development Unit of the Faculty of Education at CUHK. Since the 1990s, she has participated in over 20 drama productions and other types of performances, practising acting and performing, devising and dramaturge, directing and coordinating, translation and interpreting, producing and organizing, mentoring and supervising, education and research development etc. for various societies, companies, institutions, as well as festivals in Hong Kong, the USA and Germany. She has been invited to hold lectures and present papers in various international symposia, conferences and seminars held by different university departments, research institutions and theatre companies in Amsterdam, Baku, Berlin, Copenhagen, Hamburg, Hong Kong, Leipzig, London, Mannheim and Stockholm. Her theatre critiques and research essays are published in academic journals, cultural and art review magazines and online in Germany, China and Hong Kong.

Courses Taught

Fall Term

CUMT 4101 Special Topics in Cultural Management: Western Theatre in Contemporary Hong Kong Performances

Recent Publications (Selected)

Monographs

Zu einer Ästhetik des Hybriden: Eine Geschichte der Verflechtung von deutschen Theaterkünstlern mit chinesischer Theaterkultur im frühen 21. Jahrhundert [Towards a Hybrid Aesthetics: A History of Interweaving by German Theatre Artists with Chinese Theatre Cultures in the Early 21^st Century]. Dissertation Online of the Freie Universität Berlin, 2011.

Book Chapters/Journal Articles

＜當代德港紀錄劇場的比較＞ [A Comparison between the Contemporary Documentary Theatres in Germany and Hong Kong], forthcoming.

＜德语舞台上的华文戏剧＞[The Chinese Drama on the German Stage], Shanghai Art Review, 2016(3).

The Interweaving of the German and Chinese Theatre Cultures in the Early 21st Century, in K. Levy (eds.), Deutsch-chinesische Beziehungen, Berliner China-Hefte – Chinese History and Society, 2011(39), 59-80.

Von der Flucht zum Weltbild eines >Kosmopoliten<: Eine Verknüpfung der Theaterperformance fluchtVERSUCHE mit den Texten und dem Leben von Gao Xingjian [From the Escape to the Worldview of a Cosmopolitan: A Connection of the Theatre Performance fluchtVERSUCHE with Gao Xingjian’s Texts and Life], in V.-I. Reinwand and C. Knoll (eds.), Forschung trifft Literatur: Aktuelle Forschungsthemen im Spiegel literarischer Werke, 2011, 153-166.

Reviews and Critiques

＜一道透过叙事和场面教人反思差异的习题＞[A Problem that Teaches us to Reflect on Differences via Narration and Scene], Shanghai Art Review, 2018(5).

＜怪誕和反諷 — 析當代德國諷刺劇公司感謝你＞[Grotesque and Irony: Analysis of the Contemporary German Satire Die Firma dankt], House Program of the Theatre Performance Die Firma dankt, 2018.

＜紀錄劇場也可以感性＞[Documentary Theatre can also be Emotional], Reviews Online of International Association of Theatre Critics (Hong Kong),  2017.

＜戲劇學指導的三言兩語: 賦權多面觀＞ [A Few Words by the Supervisor of Theatre Studies: Empowerment from Various Points of View], House Program of the Theatre Performance The Caucasian Chalk Circle, 2016.

Invited Talks

Moderator in the Talk “Documents of the Third Reich: Documentary Theatre and Historical Documents”, invited by The Centre for Cultural Studies of CUHK, May 18, 2018.

Speaker in the Talk “「布萊希特和今天的香港」[Brecht and Today’s Hong Kong]”, invited by Touch Theatre, Aug 12, 2016. 

Introduction

Patrick Mok received the doctorate degree in History, The University of Hong Kong. He has a wide range of research interests from history, heritage and cultural study, cultural policies, cultural/creativity indicators to cultural-creative economy in Hong Kong and China.
From 2008 to 2014, Dr. Mok served as consultant and manager in the Hong Kong Institute for the Humanities and Social Sciences (HKU) for the development of the “Hong Kong Memory Project”, a digital and research project for the preservation of Hong Kong’s historical and cultural heritage. He is now the Research Consultant in Cul and Culture Consultant Limited.
He was investigator of a number of projects on digital library, copyright research and policy studies on creative economy, including: “A Review Study on Cultural Audit” (2009-2010) commissioned by the Central Policy Unit of HKSAR Government; “A study on Hong Kong Design Index” (2010) by the Hong Kong Design Center. Recent work includes the “Study on Macau’s Cultural and Creative Industries Index” (2011-12) and its follow-up studies (2013-15), both commissioned by the Cultural Affairs Bureau of the Macau SAR Government.
He was also involved the research of the “Development Plan for Cultural Industries in the 12th Five Year Plan” (2009-2010), a project led by China National School of Administration in Beijing and commissioned by the Ministry of Culture of the PRC; “Strategic Development of Cultural Industries in China”, a collaborated work with China National School of Administration (2008-2009); and “Study on Hong Kong’s Cultural Creative Industries in the Pearl River Delta” (2006) for the Central Policy Unit, HKSAR Government; “A Study on Creativity Index” (2005), for Home Affairs Bureau, HKSAR Government; and “Baseline Study on Hong Kong’s Creative Industries”(2003), commissioned by the Central Policy Unit.

Courses Taught

Spring Term, 2016-17:
CUMT1003 Cultural Policy and Development

Introduction

Joel Kwong, a media art curator and art consultant, received her Master Degree in Cultural Management at the Chinese University of Hong Kong. She is currently the Programme Director of Microwave International New Media Arts Festival, Artistic Director of Transmedia Department (Asia Pacific) of Sun Mobile Communication Ltd., and also a board member of Videotage (media artist collective). She has been the Visiting Fellow at Hong Kong Design Institute to focus on the set up and development of Transmedia Programme in 2014-2015, and managed Input/ Output, a media arts gallery and consultancy based in Hong Kong from 2010 to 2014, and she was the Vice Chairperson of Art Gallery in Siggraph Asia 2011. An experienced practitioner in curating, producing and managing various mega art and design event, art festival, exhibition tour, public show, concert and stage performance. In 2011, she produced concert tour for a Japanese Device Art Pioneering Group –Maywa Denki, in both HK & Taipei. And also, in 2012, she curated and produced the Asia tour of UK live cinema group –circumstance, which included Xiamen, HK & Taipei. In 2013-2014, she curated and produced art projects around ASIA, collaborative units include Museum of Contemporary Art in Taipei, Eslite in both Taipei and Taichung, NIKE etc. She has been given talks and lectures in schools, festivals and universities, including National University of Taiwan, The Chinese University of Hong Kong, HKICC, Baptist University and the University of Eletro-communications in Tokyo etc.  Currently, she is also a part-time lecturer for MA in Cultural Management in Chinese University of Hong Kong.

She always believes that art is the key to make a better world.

Courses Taught

Fall Term, 2017-18:
CUMT3003 New Media Arts Management

Introduction

As an independent curator and researcher, Vivian works with universities and art organizations to develop curatorial projects that encourage multiple narratives of local history, articulated through creative means. She trained as a historian at the Chinese University of Hong Kong, and particularly interested in exploring communication and interpretation of material culture in cross-cultural context. In considering what the arts and culture means to the public and how to articulate multiple voices of the city, she has been writing about arts and culture on various platforms (e.g. https://www.objecttravelogue.net/), and developing art projects, such as Sparkle! Let’s Art (2015, Oi!) and Talkover/Handover 2.0 (2017, 1A Space).

Course Taught

Spring Term, 2019-20:
CUMT4008 Advanced Museum Studies